Leonard Cohen in Las Vegas 12-10-10 Concert Review
Dec 16, 2010 Michael Doherty
Leonard Cohen performing at The Colosseum 12-10-10
Photo by Michael Doherty
The first show of a two-night stand to finish his tour, this incredible concert featured music from throughout Leonard Cohen's career.
Leonard Cohen finished his three-year tour with a two-night stand at The Colosseum At Caesars Palace in Las Vegas, Nevada.
Las Vegas seems such an odd place for Leonard Cohen's final performances of this magnificent tour. After all, Leonard Cohen is about poetry and truth and honesty and beauty. Las Vegas is basically the antithesis of these things. It is a place devoid of any ideals.
In his introduction to "Anthem," Leonard Cohen referred to Las Vegas as a "curious place." He also said that it is "so unmagical, and with such great effort to achieve the unmagical." Indeed.
Yet within this most unmagical of places, something truly magical occurred.
"Dance Me To The End Of Love"
Leonard Cohen took the stage at 8:08 p.m., and opened with "Dance Me To The End Of Love," from his 1984 studio release Various Positions. This is the song with which he's opened every show on the tour, and it's a beautiful tune.
There was a rare mistake in the night's performance of "Ain't No Cure For Love," a song from Leonard Cohen's 1988 release I'm Your Man. The backup singers came in one line too soon, and then Leonard stopped in the middle of his next line. But the rest of the show was flawless.
"Who By Fire"
The instrumental introduction that Javier Mas has composed for "Who By Fire" is one of the highlights of the first set. A low stage light aimed at Javier caused a giant shadow of him to loom over the stage on the backdrop. It was gorgeous.
Roscoe Beck, the show's musical director and bassist, played a different ending to "Who By Fire" on bass. Whereas in earlier concert performances, he'd run his hand up the bass at the end, this time in addition to that, he brought his hand back down, and coaxed some really interesting sounds out of his instrument.
Another new addition to the song was Hattie Webb on harp, which added some nice touches to the song.
It's wonderful that after more than two hundred concerts, the band members were still discovering new aspects of these songs.
"Tower Of Song"
After a twenty-four minute intermission, Leonard Cohen returned to the stage for the second set. He began with "Tower Of Song," which is the final track from I'm Your Man (1988). Most of the band sat this one out, with Leonard Cohen playing a synthesizer (which, as he stated at most of his shows, plays itself).
After Leonard's brief solo on the keyboard, the audience cheered and Leonard thanked them for their kindness.
After "Tower Of Song," Leonard Cohen picked up his guitar for a series of songs, including such favorites as "Suzanne" and "Sisters Of Mercy." Between those two songs he performed "A Singer Must Die" solo - a definite highlight of the concert.
"Take This Waltz"
Leonard Cohen ended the second set with "Take This Waltz," another excellent song from I'm Your Man. Instead of "I want you, I want you, I want you," he sang, "Te quiero, te quiero, te quiero," and he sang it directly to Javier Mas.
And though he's 76 years old, Leonard Cohen danced off the stage at the end of the set.
Encores
A minute after he left the stage, Leonard Cohen returned for a series of encores that started with "So Long, Marianne," a song from his first record, Songs Of Leonard Cohen (1967). His voice is particularly powerful on that song, especially as he sings, "And just when I climbed this whole mountainside/To wash my eyelids in the rain."
From there he went into "First We Take Manhattan," and after that, danced off the stage again. He returned a moment later to perform "Famous Blue Raincoat," one of his absolute best songs.
Following "Famous Blue Raincoat," most of the band left the stage, and Leonard introduced "If It Be Your Will" by reciting several of the song's lines. He then stepped aside to let The Webb Sisters perform their beautiful rendition of this song.
The second encore ended with a rousing version of "Closing Time," which got the audience clapping and dancing.
But Leonard Cohen was not finished. He returned for a third encore, playing "I Tried To Leave You" from 1974's New Skin For The Old Ceremony. During this song, each band member took a turn at a solo.
Leonard Cohen Is A Generous Performer
Leonard Cohen is such a gracious and generous performer - giving each musician the room and opportunity to shine, and then genuinely enjoying those moments. Just look at the joy on his face as he listens to Sharon Robinson sing "Boogie Street" or The Webb Sisters sing "If It Be Your Will."
He is a man who seems to truly love every moment of his concerts, and who appreciates and honors his fellow musicians, as well as his fans. He gives it his all.
All of his studio albums were represented in the concert with two glaring exceptions: 1977's terribly underrated Death Of A Ladies' Man and, surprisingly, Leonard Cohen's most recent studio release, 2004's Dear Heather.
Set List
Set One
1. Dance Me To The End Of Love
2. The Future
3. Ain't No Cure For Love
4. Bird On The Wire
5. Everybody Knows
6. In My Secret Life
7. Who By Fire
8. The Darkness
9. Democracy
10. Chelsea Hotel No. 2
11. Waiting For The Miracle
12. Anthem
Set Two
1. Tower Of Song
2. Suzanne
3. A Singer Must Die
4. Sisters Of Mercy
5. The Gypsy's Wife
6. The Partisan
7. Boogie Street
8. Hallelujah
9. I'm Your Man
10. A Thousand Kisses Deep
11. Take This Waltz
First Encore
1. So Long, Marianne
2. First We Take Manhattan
Second Encore
1. Famous Blue Raincoat
2. If It Be Your Will
3. Closing Time
Third Encore
1. I Tried To Leave You
The show ended at 11:43 p.m.
After a wonderful concert like that, the audience wants to just go outside into some fresh air. But the doors of this venue open straight into the casino, and there is no short and direct path to the exit. So everyone has to battle his or her way through the flashing lights and cigarette smoke and obnoxious sounds before finding freedom and peace.
Between Leonard Cohen and the actual exit are strippers dressed like cops, but with feather boas. And horrible music was being pumped in from somewhere. It was like being attacked after a wonderful night - exactly the opposite of what one wants after a magical experience like a Leonard Cohen concert.
The next night, December 11th, brought Leonard Cohen's final concert of the tour.
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