Tower of Song excerpt from Cardiff
Posted: Wed Sep 04, 2013 9:43 am
Short bit of Tower of Song, including the commentary on the solo.
http://www.leonardcohenforum.com/
At the Manchester concert I initially felt that the apparent "levity" of Cohen as the "actor" performing his songs for us felt a little at odds with the lines being delivered, and the performance less intense as a consequence compared with my recollections of the last shows I saw back in 2008.Diane wrote:He played up the comedic parts of Going Home, which was part of the encore, and I confess I would have preferred more emphasis on the deeper aspects of that immensely touching song.
In fact my only "complaint" is that Leonard's performance has become more fun and relaxed. I do miss the darkness and intensity.
Cardiff is fascinated by Cohen
Published September 4, 2013 by Reviews . No comment .
Leonard Cohen
Ciron Gruffudd who attended-- the Montreal poet sang for three hours last night ...
Only a month after I dragged my tolerant girlfriend to see a bunch of old men performing at the Eisteddfod, last night was the night I had to pay back a favor and take her to see one old man singing.
From now on I will refer to my girlfriend as Lady Midnight and those of you who are familiar with the work of Leonard Cohen will understand that reference correctly. I did not until last night.
Better for me to explain now that I was never brought up with the sound of "the poet of Montreal", chwadal Bryn Fon, and even though I was familiar with a few of his works - not just the Brigyn version of 'Hallelujah' - I've never fallen under his spell.
But, with an open mind and wearing a brown corduroy suit to get into the spirit of the evening (as that is what I used to imagine that fans of Leonard Cohen would be wearing) away we go to the Motorpoint Arena in Cardiff.
Early Impression
After walking in the hall, the first thing struck me was the diversity of the audience. Yes, most of whom are older and look respectful, but there were also skinheads with their hair dyed, rockers in their leather jackets and one relatively young and foolish young man in his brown corduroy suit. Testament, I suppose, to the timeless appeal of Leonard Cohen.
As an aside, one of the many stalls that sold expensive rubbish, opened my mouth wide and I made some strange noise from the back of my throat. Lady Midnight turned to look in the same direction as me. She asked: "What are you looking at? Who you've seen? "Rudis nothing. Less than three feet away, and looking her in the eye was the famous DJ Drum and Bass, High Contrast. That was my night to do and that gives you a taste of my usual taste in music.
Pork pie hat
After, somehow, the woman behind the bar persuaded us to buy a bottle of wine instead of glass, and we found our seats, the man himself walked on stage in his black suit and pork pie hat.
To be honest, the first half whipped past because my attention has been fixed on the man who sat next to me and his headgear. The question I was pondering was why, given the choice of any wig hair style in the world, one would choose the same style as my father's pictures in school after his mother put a bowl on his head and cut around it with blunt scissors?
Anyway, the first half is slick. The show itself is a machine that has been greased and everyone on stage knows what they're doing. With decades of songs under his belt, Cohen is obviously trying to reconcile the show by creating different arrangements of the same songs but charming Spanish style guitar with Javier Mas carries the whole. Although this worked for some who know the songs, some variation in the sound would have been better for an amateur like me.
Highlight
Starting the second half was the highlight as Leonard Cohen stood alone on stage in front of keyboards and three women sang backing vocals to 'Tower of Song'. Then came all the hits in a row - 'Chelsea Hotel', 'Suzanne', 'So Long, Marianne "and, of course,' Hallelujah '.
It's hard not to be charmed by his songs, and even when I did not know the song, listening to the words gives me a thrill repeatedly
Leonard Cohen's voice has also become deeper as the years go on, and he hit a few notes of the bass section that the best Male Choirs of Wales struggle to reach, which adds to the performance.
Encore
At the end of the show, he came forward three times to sing more songs known as 'Dance Me To The End Of Love' and 'First We Take Manhattan'. By the end he has been performing for over three hours. Not bad for a man who is pushing 80.
Lady Midnight had been brought up with Leonard Cohen songs in the soundtrack to her life and so she shed some tears in the second half. She cried at an Edward H Dafis gig too, but for different reasons.
And that's what I remember more than anything else for the night. Leonard Cohen’s ability to captivate the audience--- young and old, fans or not. Little wonder that the man had had his fair share of women over the years if he could seduce lots of people in the Cardiff hall without even removing his hat.
I’m not saying that I have become a fan overnight, but two things are certain. First, I'll pay more attention and listen more to him from now on. And second, I will never wear a corduroy suit on a warm summer night again.
I like your viewpoint, UrPal, and that you got carried into Leonard's frame of mind. A skipping, beaming, enlightened Teacher doubtless resides less and less in the pain and drama. Probably that's the difference.UrPal wrote:At the Manchester concert I initially felt that the apparent "levity" of Cohen as the "actor" performing his songs for us felt a little at odds with the lines being delivered, and the performance less intense as a consequence compared with my recollections of the last shows I saw back in 2008.Diane wrote:He played up the comedic parts of Going Home, which was part of the encore, and I confess I would have preferred more emphasis on the deeper aspects of that immensely touching song.
In fact my only "complaint" is that Leonard's performance has become more fun and relaxed. I do miss the darkness and intensity.
I don't know whether it was him or me, but the disparity disappeared from the second set onwards....and by the time Going Home came around I was as at home with laughing in the face of mortality as Cohen seemed to be.
Being able to see LC live so often in recent times bears at least two risks:Diane wrote:I like your viewpoint, UrPal, and that you got carried into Leonard's frame of mind. A skipping, beaming, enlightened Teacher doubtless resides less and less in the pain and drama. Probably that's the difference.UrPal wrote:At the Manchester concert I initially felt that the apparent "levity" of Cohen as the "actor" performing his songs for us felt a little at odds with the lines being delivered, and the performance less intense as a consequence compared with my recollections of the last shows I saw back in 2008.Diane wrote:He played up the comedic parts of Going Home, which was part of the encore, and I confess I would have preferred more emphasis on the deeper aspects of that immensely touching song.
In fact my only "complaint" is that Leonard's performance has become more fun and relaxed. I do miss the darkness and intensity.
I don't know whether it was him or me, but the disparity disappeared from the second set onwards....and by the time Going Home came around I was as at home with laughing in the face of mortality as Cohen seemed to be.
But from another angle, as you mention the 2008 concerts, taking Hallelujah as an example, last night it did not approach for me the soaring, spiritual heights it did in Kilmainham 2008 when the delivery was outstandingly powerful. (Not that I expect duplicate concerts.)
I do love the thought, and I'm grateful for whatever he does. I'm just not on the same page as him yet.RogerE wrote: even if I was missing the depth born from a depressing mood in his latest concerts myself, at the latest since the Odense performance I'm no longer interested in seeing him die for his song rather than laugh about it all again.
Judy wrote:Hi Diane![]()
Thank you for the report ... have you read Doron's thoughts on the Pula concert? He says something very similiar in the second to last paragraph:
viewtopic.php?f=75&t=34255&hilit=thoughts+pula
See you soon xxx