Influences on Leonard Cohen: I'm Going Home (Hymn) and O Captain My Captain (Walt Whitman)
Posted: Sat Nov 09, 2024 7:09 pm
Good afternoon,
I have realized there are two poems that may have had an influence on Leonard Cohen poetry (surely there were hundreds or thousands more, but just to signal two of them).
A few days ago I was reading Walt Whitman's "O captain my captain" and I found these verses (the final verses):
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
How not to think about the song "Democracy":
Sail on, sail on
O mighty Ship of State!
To the Shores of Need
Past the Reefs of Greed
Through the Squalls of Hate
Sail on, sail on, sail on, sail on
I thought the verses "O mighty Ship of State" looked like "Exult, O shores, and ring, O bells!".
But the foundation of these verses are deeply rooted in Henry Wadsworth Longfellow:
Sail forth into the sea of life,
O gentle, loving, trusting wife!
And safe from all adversity,
Upon the bosom of that sea
Thy comings and thy goings be!
For gentleness, and love, and trust,
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!
(H.D. Longfellow: "The Launching of the Ship")
Another influence on Leonard Cohen:
Today I have watched the film "Cold Mountain", a movie set in the American Civil War. There is a scene in a church were the parishioners sing a hymn untitled "I'm going home". This appears to be a 19th century hymn. In fact, this is a hymn from the Sacred Harp singing, a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a tunebook first published in 1844. The Alabama Sacred Harp Singers were any of the informal groups participating in four recorded Sacred Harp singing sessions in Alabama in the 20th century.
The Alabama Sacred Harp Singers sung the hymn "I'm Going Home"; this appears in the 1965 record. "Presenting Another Fa Sol La Music Album".
There is another song untited "Going Home". The song “Goin' Home” is based on Czech composer Antonin Dvorák's Symphony No. 9, specifically the Largo movement. The song was written by William Arms Fisher, who was a student of Dvorák. Fisher arranged and adapted the theme from Dvorák's Largo and wrote his own lyrics.
It is not a coincidence that the hymn and the songs have the same title, and probably it is not a coincidence the similarities between Logfellow's poem and Cohen's song, and the similarities between the verses "O shores, o bells!" and "O mighty Ship of State!"
Probably those verses had an influence on Leonard Cohen when he wrote his work.
I did not know those verses. I saw "Cold Mountain" with English subtitles and I saw the hymn was untitled "I'm going home". When the people in the church was starting to sing, the English subtitles appeared: "I'm going home, by the Alabama Sacred Harp Singers", so I did a Google search and the source of what I have written above is Wikipedia. The same is to be said for William Fisher's song.
As I said, probably this was an influence on Cohen's work, but all this makes me (and you, I hope!) think about.
I have realized there are two poems that may have had an influence on Leonard Cohen poetry (surely there were hundreds or thousands more, but just to signal two of them).
A few days ago I was reading Walt Whitman's "O captain my captain" and I found these verses (the final verses):
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
How not to think about the song "Democracy":
Sail on, sail on
O mighty Ship of State!
To the Shores of Need
Past the Reefs of Greed
Through the Squalls of Hate
Sail on, sail on, sail on, sail on
I thought the verses "O mighty Ship of State" looked like "Exult, O shores, and ring, O bells!".
But the foundation of these verses are deeply rooted in Henry Wadsworth Longfellow:
Sail forth into the sea of life,
O gentle, loving, trusting wife!
And safe from all adversity,
Upon the bosom of that sea
Thy comings and thy goings be!
For gentleness, and love, and trust,
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!
(H.D. Longfellow: "The Launching of the Ship")
Another influence on Leonard Cohen:
Today I have watched the film "Cold Mountain", a movie set in the American Civil War. There is a scene in a church were the parishioners sing a hymn untitled "I'm going home". This appears to be a 19th century hymn. In fact, this is a hymn from the Sacred Harp singing, a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a tunebook first published in 1844. The Alabama Sacred Harp Singers were any of the informal groups participating in four recorded Sacred Harp singing sessions in Alabama in the 20th century.
The Alabama Sacred Harp Singers sung the hymn "I'm Going Home"; this appears in the 1965 record. "Presenting Another Fa Sol La Music Album".
There is another song untited "Going Home". The song “Goin' Home” is based on Czech composer Antonin Dvorák's Symphony No. 9, specifically the Largo movement. The song was written by William Arms Fisher, who was a student of Dvorák. Fisher arranged and adapted the theme from Dvorák's Largo and wrote his own lyrics.
It is not a coincidence that the hymn and the songs have the same title, and probably it is not a coincidence the similarities between Logfellow's poem and Cohen's song, and the similarities between the verses "O shores, o bells!" and "O mighty Ship of State!"
Probably those verses had an influence on Leonard Cohen when he wrote his work.
I did not know those verses. I saw "Cold Mountain" with English subtitles and I saw the hymn was untitled "I'm going home". When the people in the church was starting to sing, the English subtitles appeared: "I'm going home, by the Alabama Sacred Harp Singers", so I did a Google search and the source of what I have written above is Wikipedia. The same is to be said for William Fisher's song.
As I said, probably this was an influence on Cohen's work, but all this makes me (and you, I hope!) think about.