Lizzy, good point on Neil Diamond! Good diction is not often found nor adequately appreciated. There is an art to it. I was fortunate to have top notch directors for the choirs in which I've sung. By the time I was 9 I knew what a dipthong is, to form the 'H' before the 'W' in words like
where and
when, and to carry consonants to the next letter. I'm from the Midwest where choral music is much appreciated due to the large Scandanavian/German population's Lutheran devotion to Bach. Back in the day when it was okay to sing 'sacred' music in the public schools, I had a director who warmed us up on Bach Chorales by giving us only the tenor note and we sight-read them a capella. And if you go to a GLC (Good Lutheran College) there is a long standing tradition of having an excellent choir.
Mel is typically a man's name; yet, Melody is a woman's,...
I wasn't sure what to use for a tag. I thought Melody might be presumptuous, Mel could be either sex although I am female, and when I was running out of creative screen names I started using names of horses I've had over the years; one of whom was Lucky's Dusty Melody. Not terribly original but like most horse folks I remember horses' names more easily than the people that owned them. So that's where it came from - plus my ZIP code.
and melody could relate to your being a musician especially drawn to melody.
This got me thinking if I AM especially drawn to melody. As a soprano, the melody can get boring. Contrary to popular belief (and to the chagrin of many sopranos) the key element of any good musical ensemble is not the melody or lead, it's the accuracy and placement of the major or minor third in a chord. In SATB it's usually carried by the tenors. If that third is off, nothing will save the melody.
Susan P. Schutz wrote "Music touches feelings that words cannot" and yet sometimes, not often enough, the words and music become greater than the sum of their parts. This is what I'm finding with LC.